Wednesday, 16 January 2013


 Day One: 15/01/2013 (jacket unembellished)

 

“I like this new jacket,” said my work colleague, Liina. “It’s a lot more demure then the things you usually wear.”

“Don’t get too used to it.” I responded. “With any luck in a couple of weeks it will be totally unrecognisable.”



Day Two



Bass guitar head and 'Fidelio' embroidery.
‘Fidelio’ is the final track on The Palace of Justice's 2011 album Once and For All, available here: http://thepalaceofjustice.bandcamp.com/album/once-and-for-all


Tuesday, 15 January 2013

The project



The project


About a year ago this smart suede jacket came into my possession courtesy of a friend of mine, George Clarke, who gave me authorisation to do with it what I would, that is, give it a good trashing.

The jacket is actually quite nice if you like brown suede. Two buttons, pockets without holes in. NEXT quality, no less. Not too shabby. It undoubtedly looked the business on George before he decided to throw it my way but it’s been sadly neglected this past year. It is partly with this regret in mind, and with the genuine belief that something interesting could develop in the process, that I have decided to wear this garment every day for the next few weeks, whilst customizing its appearance with the same regularity.

Although it might sound like a project conceived in the offices of Vice magazine/somewhere selling overpriced pints of lager in Hoxton, this idea was actually put forward by another friend of mine, who proposed the notion in a noble attempt to rid me of my current creative inertia, for which I am hugely grateful.

Ultimately however, the process and outcomes are mine, though are undoubtedly, and exhilaratingly, straddled between grand conception and total chance. I want to create an evolving and constantly changing piece of clothing that grows, incorporating some of the same aesthetic motifs I often employ and juxtapose, as well as open the door for new ideas. In a way, it can take on a life of its own, both embracing and putting two fingers up to its presumed lifetime as premium-quality jacket, by both my embellishing it on Monday and tearing the shit out of it on Tuesday.

I vow to add something new to the jacket every day, whether that means pinning a button or crisp-packet badge, applying paint, embroidery or ring-pull armour, re-tailoring the innards, and maybe even tearing the sleeve off it in a heat of anger or frustration.

Pin badges pledging allegiance to bands, charities or Camden Market-approved ironic slogans always felt pretty ephemeral to me, and I’m happy for things to hang off the jacket, come and go, be misspelt, get torn or go totally AWOL lost to the pavement in the course of my daily walk into work down the Holloway Road.

I don’t have a time scale in mind - we’ll just keep it going for as long as the thing holds together, then maybe have a party/wake when it finally falls apart.

So, lend me your Trash if you see me about. I’ll take a snap every day and report or anything worth noting down. Any passable jacket-based puns that I can use for the title of the project will be warmly accepted. Some examples that have been contributed and instantly rejected include Jacket the Knife, Hit the Road, Jacket, Jesus Don’t Want Me For a Jacket and Gary Glitter Stole My Jacket.



Wednesday, 7 March 2012

CUT-UP BEFORE PAPER CUT


A cut-up poem to start the day, offset with pictures of things that, should we have the power, would be brought back from the dead, as contributed by Anna Kirk, Ed Sibley and Laurie Young.

I told Kate:
New Buterflies Blitz
night is calm
Idylls
Malcolm McClaren
The first thing you would see was
Real street protests
Polititcs [of] distraction
England
'In her art she was fearless. In life she was tormented.'
It was dark.
Innocent but wise at the same time.
The fallen leader's finest hour
he was in their midst
circus
glitter and bright lights didn't work
see if we took that to heart less.




**Things to be brought back from the dead: Ricicles; Archaeopteryx; Joe Strummer; the widespread use of valve amplification. If you would like to contribute to the next cut-up collage, please email me what you would bring back from the dead if given the chance at trashofcamden@hotmail.co.uk. **



Friday, 17 February 2012

TRASH OF CAMDEN PHOTO SHOOT


SELECTED PHOTOS NOW UPLOADED & ACCESSIBLE VIA THE FOLLOWING LINK:

http://www.facebook.com/media/set/?set=a.10150670157856098.454541.577106097&type=1&l=904d3546f1

Thursday, 9 February 2012

PHOTO SHOOT

***Calling anyone who has ever shown an interest in Trash of Camden***

Due to the kindness and AWESOMENESS of Miss Samm.m Agnew (http://sammmagnew.com/), there is a very good chance that Trash jewellery will appear in The Sun's glossy Saturday supplement, 'Fabulous', a week on Saturday (18th Feb). I want to take advantage of this rare opportunity for national exposure and organise a photo shoot to post online beforehand... in order to show the best of what I've made in the past 18 months. Therefore, I am asking for anyone available and keen to get involved to get in touch with me asap-I'll need models, photography-literate individuals and general SUPPORTERS. Also if anyone fancies filming any of it for a little showreel (and has the relevant recording equipment to do so) then that would be fantastic!

Due to my work schedule, the shoot will hopefully take place on this Saturday or Sunday somewhere in Camden Town. I can be available both days. I'm really keen to avoid the main strip down Camden High Street (especially since it's a weekend) so am hoping to situate it in one of the communal parks. Saying that, it would be nice to have a couple of group shots down by the Lock though.

I know it's late notice but I would be so so grateful of any help. Absolutely no experience necessary, only enthusiasm. Details to follow, please get in touch if you're interested.

Muchest of love,

Kate Trash


Tuesday, 7 February 2012

CAMDEN UNSIGNED PLAYLIST 07.02.2012





Camden Unsigned (John and Kate’s ‘Unsigned Trash’) playlist, 07/02/2012

1. The Cheap Thrills – Live Now
2. Alistair Sherrin – Take it All
3. Nia – Mescaline
4. Little Luke – Puppets

5. Small Horses – The Last of the Likely Lads
6. Chasing Tigers – Take Me Away
7. The Romleys – Singing to a Stone
8. Everything But Arms – My Dad’s a Super Spy

9. Pink Cigar – Strange
10. The Hops - Shudder

11. Van Howling – Hole in the Wall (Radio Edit)
12. White Rose – Black Magic Box
13. The Madding Crowd – A Glorious Comedy
14. Stone Them Crows – 50s Sex
15. Ron Bowderry – Overplay Red Light

16. S.C.U.M. – Whitechapel
17. Black Hay – I Feel Something
18. The Cellophane Flowers – Belinda
19. Black Foot Circle - Racket of the Records
20. Moist – Scared
21. Pink Cigar – The Throat
22. Changing Horses – I Don’t Need It


THE VAGENDA

I'm extremely excited to be part of a brand new collaborative project called The Vagenda which aims to look at the way women are represented in the media.

Check it out at http://vagendamag.blogspot.com/#!/

It was launched late last night (6th February) and this first selection of articles should lay down the gauntlet for what the editorial team is getting at by establishing this forum for writing and photography/images. Some photography articles like 'Stock Photos of Women Looking Remorseful After Sexual Encounters' are not a far cry away from the realms of VICE magazine. Then again, regular feature, 'American Apparel Ad or Porn?' promptly dumps all over any possible 'hipster' vibes you might get from the blog's content. Personally, I love the way that the design of the blog mimics the cutesy colour schemes of certain womens' magazines like Glamour, or indeed 'Glameurgh' as The Vagenda has rechristened it.

I'm told that the impetus behind The Vagenda all stemmed from two friends' all-too valid understanding that women's magazines rarely if ever seem to address things that real women or indeed, more widely, real people, actually care about. The word 'vagenda' was spotted by one of our editorial team as a terrible composite term used to describe a driven female's ambitions. (For a hilarious and yet biting insight into the linguistic epidemic that is the tendency to 'create one word when two (or none) will do', check out Natalie Cox's 'Chiktionary Corner').

Angry and frustrated by the way that not only language but feminity is becoming increasingly marginalised and pigeonholed within this widespread and wholly demeaning phraseology in the media, it was thought that something had to be done so The Vagenda was set up as a means to 'sift through the shit'. 

For a far more eloquent and erudite call-to-arms about The Vagenda's 'agenda', check out original 'Letter from the Editor'.



I'm hoping that my own contributions will look predominantly at the position of women in music and art but I'm aiming to produce other articles too. My first piece is a short essay called, 'Cut: Revising the Influence and Legacy of The Slits'.

At any rate, I'm so honoured to be a member of The Vagenda's editorial team and thoroughly encourage people to have a look at the diverse and genuinely impressive array of material that's been uploaded thus far.